Song of Solomon 6:3

Authorized King James Version

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I am my beloved's, and my beloved is mine: he feedeth among the lilies.

Original Language Analysis

אֲנִ֤י H589
אֲנִ֤י
Strong's: H589
Word #: 1 of 6
i
וְדוֹדִ֣י I am my beloved's H1730
וְדוֹדִ֣י I am my beloved's
Strong's: H1730
Word #: 2 of 6
(figuratively) to love; by implication, a love-token, lover, friend; specifically an uncle
וְדוֹדִ֣י I am my beloved's H1730
וְדוֹדִ֣י I am my beloved's
Strong's: H1730
Word #: 3 of 6
(figuratively) to love; by implication, a love-token, lover, friend; specifically an uncle
לִ֔י H0
לִ֔י
Strong's: H0
Word #: 4 of 6
הָרֹעֶ֖ה is mine he feedeth H7462
הָרֹעֶ֖ה is mine he feedeth
Strong's: H7462
Word #: 5 of 6
to tend a flock; i.e., pasture it; intransitively, to graze (literally or figuratively); generally to rule; by extension, to associate with (as a frie
בַּשׁוֹשַׁנִּֽים׃ among the lilies H7799
בַּשׁוֹשַׁנִּֽים׃ among the lilies
Strong's: H7799
Word #: 6 of 6
a lily (from its whiteness), as a flower of architectural ornament; also a (straight) trumpet (from the tubular shape)

Analysis & Commentary

The bride affirms with confidence: 'I am my beloved's, and my beloved is mine: he feedeth among the lilies.' This verse echoes 2:16 but reverses the order—there, 'My beloved is mine, and I am his'; here, 'I am my beloved's, and my beloved is mine.' The subtle shift prioritizes belonging to the beloved before claiming him as one's own. This may reflect maturing love—earlier emphasis on possession ('mine') now gives way to self-giving ('I am his'). The reciprocal possessive pronouns maintain mutual covenant commitment—both belong fully to each other. The phrase 'he feedeth among the lilies' repeats the image from 2:16, suggesting the beloved delights in the bride's beauty and presence (lilies representing the bride or beautiful pasture). This verse teaches that covenant love involves both giving oneself ('I am his') and receiving the other ('he is mine'), and that mature love increasingly emphasizes self-giving over possessing. Theologically, it reflects the believer's relationship with Christ: we belong to Him (1 Corinthians 6:19-20; Romans 14:8), and He graciously belongs to us through covenant union (John 17:9-10).

Historical Context

The shift from 2:16 ('My beloved is mine, and I am his') to 6:3 ('I am my beloved's, and my beloved is mine') may reflect the song's narrative progression—the relationship deepening and maturing through trials (chapters 3 and 5 describe separation and seeking). Mature covenant love increasingly emphasizes self-giving and belonging to the other rather than merely possessing. Ancient Near Eastern marriage involved reciprocal obligations and mutual belonging, but biblical covenant theology uniquely emphasized that God's people belong first to Him ('ye are not your own,' 1 Corinthians 6:19), then receive Him as their covenant God. The pastoral imagery of feeding among lilies continues the shepherd motif—the beloved as shepherd finding satisfaction and delight among beautiful pasture (his bride). Early church fathers saw progression in the believer's relationship with Christ: initial emphasis on what Christ gives ('he is mine') matures into sacrificial devotion ('I am his'). The Reformers emphasized that believers belong to Christ through His redemption, and He condescends to belong to them through covenant grace. Modern application affirms both marital maturity (from 'what can I get?' to 'how can I give?') and spiritual growth in Christ-centeredness.

Questions for Reflection